ニューヨーク・タイムズのインスタグラム(nytimes) - 8月3日 10時10分

Is Kathryn Bigelow, the director of “Zero Dark Thirty,” the right filmmaker to tell the story of 3 horrifying deaths that occurred in Detroit in 1967? She says doing nothing is not an answer. Her latest feature film, “Detroit” focuses on a little-known horror amid the 5-day riot that left 43 dead, nearly 1,200 injured and Detroit scarred. On the third night of the civil unrest, the police stormed the Algiers Motel, where they suspected a sniper had been firing at them. Officers terrorized several black teenage boys and 2 white women who’d been staying there, a macabre episode that ended with the deaths of 3 of the boys and the acquittal of the officers. With “Detroit,” the Oscar-winning filmmaker could be facing her most ambitious, and contentious, project to date. She’s a white woman from Northern California telling a story of the black experience in civil rights era Detroit. It was not lost on her, and it certainly was not lost on her cybercritics. But Kathryn says she realized that “I have this opportunity to expose this story in the hope that maybe it either generates a conversation, begins to generate a conversation and/or encourages more stories like this to come forward.” She continued: “If you don’t face the sort of, the travesties that are constantly recurring in this culture, how are they ever going to change?” @brittanygreeson took this portrait of #KathrynBigelow in #Detroit. Visit the link in our profile to read more.

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