The New Yorkerのインスタグラム(newyorkermag) - 2月11日 23時30分

Much of modernist architecture can be understood as a consequence of the fear of disease. In the rigidly geometric Paimio Sanatorium, a facility for the treatment of tuberculosis that was finished in 1933, each element—including the light-colored rooms and a wide roof terrace—was conceived to promote recovery from tuberculosis. In recent months, we have arrived at a new juncture of disease and architecture, where fear of contamination again controls what kinds of spaces we want to be in. As tuberculosis shaped modernism, so COVID-19 and our collective experience of staying inside for months on end will influence architecture’s near future. Tap the link in our bio to read Kyle Chayka on how the pandemic will fundamentally change the spaces where we live and work.

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