ニューヨーク・タイムズさんのインスタグラム写真 - (ニューヨーク・タイムズInstagram)「This living room in Chile is clad in Bolivian cedar and pierced by a jagged skylight. “Drawing,” a sculpture by Marcella Correa, is suspended near 1960s chairs and a slipcovered sofa facing the fireplace. Welcome to the “House for the Poem of the Right Angle” by the Chilean architect Smiljan Radic. Smiljan named the house — located on a plot of land in #Vilches, a pastoral village at the edge of the #Andes — after a series of lithographs and corresponding poems composed by Le Corbusier between 1947 and 1953. “I am a builder of houses and palaces,” #LeCorbusier wrote. “To make architecture is to make a creature.” At only 1,991 square feet, the house is intimate, peculiar and inscrutable, a pure creation of Smiljan’s imagination. Visit the link in our profile to see more from @tmagazine of #Chile’s unique and spectacular takes on #modernist architecture. @jasonschmidtstudio shot this photo.」4月5日 0時01分 - nytimes

ニューヨーク・タイムズのインスタグラム(nytimes) - 4月5日 00時01分


This living room in Chile is clad in Bolivian cedar and pierced by a jagged skylight. “Drawing,” a sculpture by Marcella Correa, is suspended near 1960s chairs and a slipcovered sofa facing the fireplace. Welcome to the “House for the Poem of the Right Angle” by the Chilean architect Smiljan Radic. Smiljan named the house — located on a plot of land in #Vilches, a pastoral village at the edge of the #Andes — after a series of lithographs and corresponding poems composed by Le Corbusier between 1947 and 1953. “I am a builder of houses and palaces,” #LeCorbusier wrote. “To make architecture is to make a creature.” At only 1,991 square feet, the house is intimate, peculiar and inscrutable, a pure creation of Smiljan’s imagination. Visit the link in our profile to see more from @tmagazine of #Chile’s unique and spectacular takes on #modernist architecture. @jasonschmidtstudio shot this photo.


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