ニューヨーク・タイムズのインスタグラム(nytimes) - 4月3日 04時35分


These massive planks rotate like seesaws on an axis that can rise and fall. They can be twisted into sculptural set pieces and bathed in intricate video imagery. They’re part of Robert Lepage’s ambitious staging of Wagner’s 4-opera “Ring” cycle at the @metopera. This 44-ton “Machine” was prone to glitches, starting when “Das Rheingold,” the first installment, was introduced in 2010. It often squeaked and groaned too. “But after a major retooling, it has been tamed — well, mostly,” writes the #nytimes chief classical music critic Anthony Tommasini. There were occasional creaking sounds during a recent show, but things seemed to work smoothly. Visit the link in our profile to read more from Anthony’s review of the “Ring.” Sara Krulwich shot this photo.


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