ニューヨーク・タイムズのインスタグラム(nytimes) - 5月11日 03時35分

The photographer @vincenttullo took a tour of “Heavenly Bodies,” the colossal, hotly debated and richly anointed @メトロポリタン美術館 exhibition on the interweaving of fashion and Roman Catholicism. Here, he photographed a 1967 wedding ensemble from the House of Balenciaga at the Met #Cloisters. Years in the making, the show includes exceptional loans of vestments from the #Vatican and more than 150 ensembles of secular clothing from the last century. For the 55 designers exhibited, #Catholicism is both a public spectacle and a private conviction, in which beauty has the force of truth and faith is experienced and articulated through the body. Sacrilegious? Heavens, no: The show is respectful, even reverential. But it takes communion at Fellini’s church rather than Francis’s. #MetHeavenlyBodies is the largest exhibition ever offered by the @metcostumeinstitute. The show places the clothing amid the Met’s superb collection of Byzantine and medieval art. “This intermarriage of religious art and secular fashion feels refreshing in places, silly in some; either way, it’s an event,” @jasonfarago writes. Visit the link in our profile to read about his tour, and to see more photos by @vincenttullo.

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