ニューヨーク・タイムズのインスタグラム(nytimes) - 11月22日 13時38分

A.O. Scott, the chief film critic for @ニューヨーク・タイムズ, once wrote that Martin Scorsese approaches filmmaking as “a priestly avocation, a set of spiritual exercises embedded in technical problems.” And so it was with “Silence,” the great American artist’s new film. When Scorsese read “Silence” — Shusaku Endo’s tale of a Portuguese Jesuit priest sent to Japan in the 17th century — while on a bullet train in Japan in 1989, the novel spoke to him. He knew right away that he wanted to make it into a film. And so when he returned from his trip, he procured the film rights. And step by step, “Silence” got made. The movie Scorsese saw in his head on the bullet train took 27 years and $46.5 million to make. And over time, this story of a missionary adventure became a mission in its own right, and the act of getting it made became an act of faith. “All in God’s good time,” Scorsese told @nytmag. “We don’t know why, but this is how this picture got made. It had to be this way.” @nadavkander took this portrait of #MartinScorsese while on assignment for @nytmag.

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