ニューヨーク・タイムズのインスタグラム(nytimes) - 2月8日 08時03分

When @judy.chicago’s “The Dinner Party” opened on March 14, 1979, at @sfmoma, no one had ever seen anything like it. It was theatrical, audacious and definitively #feminist: a work of stark symbolism and detailed scholarship, of elaborate ceramics and needlework that also nodded to the traditional amateurism of those forms, a communal project that was the realization of one woman’s uncompromisingly grand vision, inviting both awe and identification. It caused an immediate sensation. But that was only the beginning. The audacity of “The Dinner Party” — which now lives at @ブルックリン美術館 — would be obvious to us now. #JudyChicago anticipated this generation’s style of feminism: pugilistic, sincere, frank and unapologetically grandiose. She saw how identity could be the locus of larger structural change and how the fury women felt at being left out could be channeled to dismantle the fortified institutions men have built to retain their control. And she anticipated the very question at the core of the #MeToo movement: What would the world look like if women held power? Collier Schorr took this photo of #JudyChicago for @tmagazine. Visit the link in our profile to read more.

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