The New Yorkerのインスタグラム(newyorkermag) - 9月25日 11時54分

Emily Mae Smith conjures Jean-Auguste-Dominique Ingres’s “Oedipus and the Sphinx” and a bewitched broom from “Fantasia” in her superbly weird painting “The Riddle,” on view through October 29th at the Simone Subal Gallery. Courtesy @emaesmith and @simonesubalgallery.

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