ニューヨーク・タイムズのインスタグラム(nytimes) - 3月23日 01時59分

#SpeakingInDance | “Everything you want dance to be about is in this solo,” said @parisakhobdeh, a daring member of @paultaylordancecompany. “It’s about surrendering. It’s about unzipping your heart, leaning back and trusting the air and the ground to catch you.” The solo is one of many highlights in “Esplanade,” Paul Taylor’s 1975 masterpiece, which was inspired by the sight of a girl running after a bus. It's also worth knowing that he made the piece during the 1974 World Series. Set to Bach, “Esplanade” contains no formal steps, but the #movement of life: walking, running and — think baseball — sliding. For her entrance, a dash across the stage, @parisakhobdeh imagines she’s a bull bursting out of the gate. When she slides, she said it feels like she’s being sucked into a tunnel. “I can see the horizon go from expansive to a single point,” she told the @ニューヨーク・タイムズ writer @giadk. “It’s like you can go into infinity. The first time I ever felt that excitement, I almost slid off the stage.” @adamgolfer made this video for our weekly series exploring the world of #dance. See @paultaylordancecompany this week at @lincolncenter.

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