ニューヨーク・タイムズのインスタグラム(nytimes) - 1月5日 11時13分

In their youth, they never met. But Barry Jenkins (@bandrybarry) and Tarell Alvin McCraney led parallel lives in the same poor Miami neighborhood, now the setting for @moonlightmov — one of the year’s best films. Both were born to teenaged mothers who became HIV positive after falling victim to the crack epidemic of the 1980s and ’90s. Both knew what it was like to have the water turned off because the bill didn't get paid. But both had family members, including their mothers, who pushed school and a love of reading. Neighbors and educators, too, fought for them. The Liberty City of their childhood was at once a place that buckled under the rages of crack but also, defiantly, maintained a cultural richness and sense of community that nurtured and inspired the 2 men. And it’s how @moonlightmov captures that tension — between the beauty and the struggle — that makes the film so powerful. @scottymacphoto took this portrait of Tarell, left, who wrote the screenplay for #Moonlight, and @bandrybarry, who directed the film, in the Liberty Square housing projects in #Miami. “This is the world of ‘Moonlight,’” @bandrybarry said, smiling. “It’s beautiful, right?”

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