ニューヨーク・タイムズのインスタグラム(nytimes) - 9月29日 12時55分


20 years ago, the conceptual artist Mel Chin cold-called the offices of “Melrose Place,” the popular soap opera, with a proposition. What if a task force of artists supplied free artworks and props for the show’s set, with coded cultural messages on pressing topics like reproductive rights, American foreign policy, alcoholism and sexual politics? Deborah Siegel, the set decorator, listened to the absurd offer. And she was into it. (Yes, really.) The proposal turned into a conceptual artist’s dream: an ongoing intervention into the heart of American mass culture. And so in 1996, Mel and a team of 100 mostly unknown artists, called the GALA Committee, began a 2-year experiment, placing objects around the show’s set. This Friday, the same 100 objects will go on display at @rbstudiosny in Manhattan, where @george_etheredge photographed Mel Chin with “Chroma Key Blue." Visit the link in our profile to read more — or stream Melrose Place on @Hulu Home of Emmy-winning to see what you can find.


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