By @jacobauesobolnew I came to Tokyo for the first time in the spring of 2006. My girlfriend Sara had got a job there, and so I decided to move with her to explore the city in which she had grown up. It was a society I had never experienced before, one which I had little knowledge of and to which I had no real sense of relationship. Initially I felt invisible. Each day I would walk the streets without anyone making eye-contact with me. Though Tokyo and its people seemed unreachable, I felt drawn to the tight and confined reality of the metropolis. My feeling of isolation and loneliness was overwhelming, it was something I had to find a way to change. And so I began taking my pocket camera out with me on the streets and in the parks. Rather than focusing on the impressively tall buildings and the eternal swarm of people, I began searching for the narrow paths and the individual human presence in a city that felt both attractive and repulsive at the same time. I wanted to meet the people, to get involved in the city, to make Tokyo mine. In my attempt to try to understand Tokyo and its people, I found myself returning to the same streets and parks again and again. There were certain areas in Shinjuku and Yoyogi-park that always captured my interest, and inevitably they became the places that I felt closest to. I think that it was meeting the people there, on a one to one basis, that helped to give me a better impression of what it means to be a part of Tokyo today. Some of those I photographed became my friends, others I shared only a short moment with. The pictures are something that grew from these meetings,pictures I took out of curiosity, and to help me remember how I felt that day, my experience of the city. When I photographed I tried to work by instinct as much as possible so as to connect and involve myself with the places I visited and the people I met. Taking snapshots supports the feeling of something unpredictable and playful. I believe it is when pictures are unconsidered and irrational that they come to life; that they evolve from showing to being.

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Magnum Photosのインスタグラム(magnumphotos) - 3月4日 05時07分


By @jacobauesobolnew
I came to Tokyo for the first time in the spring of 2006. My girlfriend Sara had got a job there, and so I decided to move with her to explore the city in which she had grown up. It was a society I had never experienced before, one which I had little knowledge of and to which I had no real sense of relationship. Initially I felt invisible. Each day I would walk the streets without anyone making eye-contact with me. Though Tokyo and its people seemed unreachable, I felt drawn to the tight and confined reality of the metropolis. My feeling of isolation and loneliness was overwhelming, it was something I had to find a way to change. And so I began taking my pocket camera out with me on the streets and in the parks. Rather than focusing on the impressively tall buildings and the eternal swarm of people, I began searching for the narrow paths and the individual human presence in a city that felt both attractive and repulsive at the same time. I wanted to meet the people, to get involved in the city, to make Tokyo mine. In my attempt to try to understand Tokyo and its people, I found myself returning to the same streets and parks again and again. There were certain areas in Shinjuku and Yoyogi-park that always captured my interest, and inevitably they became the places that I felt closest to. I think that it was meeting the people there, on a one to one basis, that helped to give me a better impression of what it means to be a part of Tokyo today. Some of those I photographed became my friends, others I shared only a short moment with. The pictures are something that grew from these meetings,pictures I took out of curiosity, and to help me remember how I felt that day, my experience of the city. When I photographed I tried to work by instinct as much as possible so as to connect and involve myself with the places I visited and the people I met. Taking snapshots supports the feeling of something unpredictable and playful. I believe it is when pictures are unconsidered and irrational that they come to life; that they evolve from showing to being.


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