The New Yorkerのインスタグラム(newyorkermag) - 8月29日 22時49分

Timelapse photography has natural parallels to my roots in landscape painting. These days, timelapse technology is all about moving the camera through a landscape, on multiple axes. Pictured here is our experimental 300 ft cable cam dolly that runs through the boulders at basecamp, powered by the #syrpgenie and suspended by lightweight Amsteel cable. [story/photo by @renan_ozturk @camp4collective @ザ・ノースフェイス @syrp_ #unearthedfilm collection]

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