The New Yorkerのインスタグラム(newyorkermag) - 5月17日 05時25分

In photography, blur is the beginner’s mistake. But as the new exhibition “Blur: A Photographic History” shows, it might also be a form of creative intention. “Why did the people who took these botched, hazy pictures not throw them away?” Brian Dillon writes. “Perhaps they saw enough of what they were hoping to see: their loved ones, a perfect summer, an exotic trip never to be repeated. Maybe they stared at blurred faces and bodies and willed them to resolve or clarify. Or did the blunders in these images seem inadvertently artistic?” At the link in our bio, see more of the images on display.

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