The New Yorkerのインスタグラム(newyorkermag) - 4月26日 23時50分

After John Mulaney left rehab, he quickly began workshopping new material about his addiction. Those early performances “had a lightning-in-a-bottle feeling to them,” Carrie Battan writes. “Mulaney took the stage in jeans, looking a bit weathered, and frequently switched course mid-joke. The shows I attended were messy, hilarious but often downbeat, and it was thrilling to watch him process his addiction and the foreign feeling of sobriety in real time.” “Baby J,” which is now available on Netflix, is the fully formed, mainstage-ready version of Mulaney’s addiction material. At the link in our bio, read Battan’s review of the new special. Photograph by Marcus Russell Price / Courtesy Netflix.

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