The New Yorkerのインスタグラム(newyorkermag) - 8月12日 06時23分

In his series “Haiti to Hood,” the 22-year-old photographer @daveedbaptiste charts the complicated birth of the Haitian-American identity. At first glance, the images seem like they could be documentary. In fact, they are heavily constructed—his elaborate sets are cluttered with objects that symbolize the activity of surviving under empire. See more at the link in our bio. Photographs by Daveed Baptiste.

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lindseylaveaux sal ye? what’s clear to me is that this most likely not intended for a haitian-American/Caribbean audience.....

lilli2beth There is no justification of clutter, disorder and untidy messy living quarters. To justify that is rubbish

likeavitrine Absolutely love this! Each photo is like a short story. I want to go back and read them again. 🙏🏼💖

saifod I work with a lot of people from Haití, but I do not understand one of the photos... 😢

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