ニューヨーク・タイムズのインスタグラム(nytimes) - 7月25日 21時55分

#SpeakingInDance | “I’ve been focusing on the crossover between language and dance,” said the choreographer @willjrawls, who has been in residence at @issueprojectroom since January. “How they are both forms of communication and how they can sometimes become one another.” For him, language can be a weapon and a tool; in this series — he performs a different iteration next at @hirshhorn in Washington DC, July 26-27, as part of the exhibition “Does the body rule the mind or does the mind rule the body?” — he uses his body like a cursor. A cursor is a "figure that is moved through space by the production of language,” he said. “So it is like a dancer. It’s also not the text that it leaves behind, but something else entirely.” In these choreographic experiments, he spells out a phrase; this one is from #Sonia Sotomayor’s dissent in the Supreme Court's travel ban decision. The work is born from some of the same impulses as Judson Dance Theater, the 1960s collective in which tasks became part of the performance: “The amazing complexity of dance and all that it can bring up has made me want to move toward really simple gestures,” Will told the @ニューヨーク・タイムズ writer @giadk. “To really feel and see how a moving body — even if it’s doing something very simply — can have huge effects on how we make sense of the world.” @flodur made this video for #SpeakingInDance, our weekly series exploring the world of #dance.

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