ニューヨーク・タイムズのインスタグラム(nytimes) - 6月5日 02時17分

Roland Garros is the smallest of the 4 Grand Slam tennis venues, packed into a narrow wedge of parkland. Its 17 courts are fixed rectangular slabs, like the bricks that are crushed into dust to cover their surface. But unlike the grass at Wimbledon and the hardcourts in Melbourne, Australia, and Flushing Meadows, Queens, the dust at the #FrenchOpen moves. With every gust of wind, bits of the court lift into the air and spread the terre battue beyond its intended confines. That pigment mixes with a collection of textures and characters around the grounds to form an ever-moving mosaic of sport and art. While the players wear what’s dictated by their apparel sponsors, visitors find numerous forms of self-expression. For Tuesday's matches, Adrien Vanuxem, left, dressed as Andre Agassi, and Philippe Lebas dressed as Bjorn Borg. Other fans dressed to match their spirit, representing their allegiances to the sport or their sense of place. Sometimes the 2 intermingle: One fan photographed here by @simoneperolari had his Mona Lisa T-shirt autographed by @アナスタシア・パブリュチェンコワ, a Russian player whose own fluid artistry probably had never before been melded to Leonardo da Vinci’s. But at Roland Garros, everything blends into one. Swipe left or visit the link in our profile to see more photos. #?

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