クリスティーズのインスタグラム(christiesinc) - 3月5日 02時49分

For Yves Klein, a sponge – when saturated with the deep ultramarine blue that he himself patented – was the perfect symbol of brain’s ability to absorb and perceive otherworldly reality.
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Klein turned to this material after a period of using it as part of his painting process.
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‘While working on my paintings in my studio, I sometimes used sponges. Evidently, they very quickly turned blue! One day I perceived the beauty of blue in the sponge; this working tool all of a sudden became a primary medium for me.’
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Yves Klein (1928–1962), ‘Relief Éponge bleu sans titre (RE 37)’, 1959. Dry pigment and synthetic resin on natural sponges, on board. 10 ⅞ x 13 ¾ x 4 ⅛ in. (27.7 x 35 x 10.4 cm.) Estimate: £3,000,000–5,000,000.
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Post-War and Contemporary Art Evening Auction – 6 March at Christie’s London.
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