ニューヨーク・タイムズのインスタグラム(nytimes) - 1月26日 05時36分

@rupaulofficial has said that he feels he is beyond categorization — he’s black but he’s not; he’s gay but he’s not. These days, when someone says that, it’s usually met with a polite eye roll, the kind reserved for out-of-touch elders. The personal politics of this moment are almost entirely defined by naming. But RuPaul Charles belongs to a different generation, “one that fought so hard for visibility that they feel they’ve earned the right to eschew all political decorum and enjoy the anarchy of reinvention, co-opting and bending language beyond recognition,” @jennydeluxe writes in @nytmag. When @rupaulsdragrace first began, it seemed like a fun window into an underground culture, but over the 9 years it has aired, the show has evolved to reflect America’s changing relationship to queer rights and acceptance. #Drag, to @rupaulofficial, is about the perversion of our understanding of gender, and by extension, ourselves. “We queens take on identity, and it is always a social statement,” @rupaulofficial said. “It’s all nudge, nudge, wink, wink. We never believe this is who we are. That is why drag is a revolution, because we’re mocking identity. We’re mocking everyone.” Graeme Mitchell took this photo of #RuPaul. Is @rupaulsdragrace the most radical show on TV? Visit the link in our profile to read more from @nytmag.

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