ニューヨーク・タイムズのインスタグラム(nytimes) - 10月8日 06時30分

Shawn Colvin was “one of those artists you’d see on VH1 back in the late ’80s and early ’90s when VH1 played singer-songwriters — women’s musicians — who might have played guitars but didn’t officially rock,” the @ニューヨーク・タイムズ critic @wsslyy writes in @nytmag. He continues: “These women were earthier than pop stars. They didn’t belt or dance. They told stories.” Over the years, @shawn_colvin’s bright, gorgeous songs grew into the appealingly dark and personal music that filled 1996’s “A Few Small Repairs.” On that album, @wsslyy writes, “her voice is full of hangover and smoke and weakness. Sometimes it’s needy and chagrined and whispery. Sometimes it’s bartender wise.” To detect the difference, he says, you have to listen closely. And that is why he argues that “whatever we mean by ‘great album’ ought to mean something like this.” This summer @wsslyy listened to only female singers. #ShawnColvin, photographed here by @ilonaaszwarc, was one of them. Visit the link in our profile to read more about what he learned and to get his @spotify playlist.

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