The New Yorkerのインスタグラム(newyorkermag) - 5月17日 03時00分

The artist #Jlin first heard footwork, a niche form of club music that originated in Chicago, when she was four years old. On her new album, “Black Origami,” she internalizes that sound to produce an astonishing global exploration of what drums can do. Click the link in our bio to read Hua Hsu’s review. Photograph by @ryanlowry.

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