The New Yorkerのインスタグラム(newyorkermag) - 5月16日 01時31分
Rich kids seldom become committed artists—but Florine Stettheimer did just that by making richness her subject. Life as a serving of whipped cream on top of whipped cream functioned as a master theme of her visions, like this costume design for a sort of fan-fiction ballet she composed in 1912. Click the link in our bio to read more about the Jazz Age artist whom Andy Warhol called his favorite. Image courtesy MOMA.
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