The New Yorkerのインスタグラム(newyorkermag) - 5月15日 04時56分

A photography teacher once urged Mickalene Thomas to explore a subject close to her, one that came “from a vulnerable place,” and after initial resistance she decided to focus her lens on her mother, Sandra Bush, from whom she had been estranged. Thomas would later say, “The moment I started photographing my mother was the moment my work completely changed.” Pictured here is “La leçon d’amour,” from 2008. Click the link in our bio to see more of Thomas's photos.

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