The New Yorkerのインスタグラム(newyorkermag) - 10月30日 07時45分

“We know the story by now,” Lauren Michele Jackson writes, of Britney Spears’s new memoir, “The Woman in Me,” the singer’s most substantial address to the public outside of social media since she was released from conservatorship, in 2021. It was foreseeable, then, that readers would make much of her memoir, given that Spears’s prevailing story for much of her adult life has been one of silencing. But, given all the curiosity, and the physical slightness of the book itself—288 pages, with plenty of white space therein—how could it possibly withstand the enormity of expectations? Tap the link in our bio to read the full review. Photograph by Sandy Young / Alamy.

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