The New Yorkerのインスタグラム(newyorkermag) - 6月11日 09時25分

In 1963, each of the Beatles was given a Pentax. It helped them cope with the stress of being photographed constantly, and with the worry that they were about to travel to a country where they expected to be greeted by frenzied crowds and hordes of photographers. From 1963 to early 1964, McCartney shot dozens of rolls of film, as the band travelled from Liverpool and London and Paris to New York, Washington, and Miami. Hundreds of his photographs were rediscovered, in 2020, in his archives. The images, which will soon be the subject of an exhibit at the National Portrait Gallery in London, are a glimpse of Beatleland from the inside. “Everyone was looking at the band in 1964,” Jill Lepore writes. “What did the Beatles see?” At the link in our bio, read Lepore’s essay on Beatlemania, and see more of the recently rediscovered photographs. Photographs by Photographs by @ポール・マッカートニー / Courtesy Liveright Publishing.

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