ニューヨーク・タイムズのインスタグラム(nytimes) - 3月1日 03時16分
“We Mexicans live behind masks of our own creation,” Valerie Mejer Caso writes for @nytopinion. “Even if in these portraits they are more a symbolic gesture of futility than protection.”
Masks have long been a part of the cultural history of Mexico, from the Lucha Libre masks to those worn for la Danza de los Viejitos, a traditional folk dance from the State of Michoacán.
The city of San Miguel de Allende, Guanajuato, where Caso lives, was quick to enact a strong response to the coronavirus and, as a result, the city has one of the lowest case rates in Mexico. But its citizens, already economically battered, have been depleted by the pandemic.
“A young construction worker, preacher and butcher wear masks that are representative of the tools used to make a living, liberate us, and to fix things,” she writes. “A versatility borne out of hardship and necessity.
“In a year where everything has been turned on its head,” she adds, “there appears to be nothing out of the ordinary about wearing a mask made of a chicharron, a tin heart or the husk of a tamal.”
Tap the link in our bio to read more from Caso’s essay. Photos by Russell Monk.
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