ニューヨーク・タイムズさんのインスタグラム写真 - (ニューヨーク・タイムズInstagram)「At the Frick’s two-year sublet of the Breuer building on Madison Avenue, it’s just you and the masters.  In March, the Frick Collection will show 104 paintings — as well as marbles, bronzes, vases and clocks — in the former Met Breuer museum. It’s an unprecedented exhibition given that the Frick, by tradition, has not lent pictures bequeathed by its founder to other institutions.  At the now named Frick Madison, the exhibition is the first, and probably only, time that many of these artworks will ever be on view outside the Beaux-Arts townhouse that the industrialist and steel baron Henry Clay Frick built for himself in the early 1900s at 1 East 70th Street.  The townhouse turned museum, which is the width of a city block and encased in marble and mahogany, is expanding. The house’s upstairs living quarters will open to the public, and there will be an addition designed by Annabelle Selldorf, the New York architect of understated rigor. But to prepare, the Frick Collection has to move out for two years — and in the sublet five blocks north, it’s discovering the modern luxury of blank walls and empty rooms.  For the next two years, these artworks will appear not as elements of a residence, but are reordered by geography and medium. Dutch and Flemish paintings are on the second floor, which features all eight of the Frick’s Van Dycks and a snug room for its three Vermeers. The third floor is the province of Italy and Spain, but also Mughal carpets and Chinese porcelain. The fourth floor belongs to Britain and France, where the Breuer’s massive trapezoidal window illuminates the four panels of Fragonard’s blithe “Progress of Love,” a Rococo fête of countryside hooking up.  The backdrop is gray, the lighting sober. No barriers. No protective glass. No descriptive texts. And no selfies either, as photography is banned. Tap the link in our bio to read more about the upcoming exhibit. @frickcollection and @dirtywhitebucks took these photos of the works in their usual spots at the Frick and in their new, minimalist homes at Frick Madison.」2月27日 8時57分 - nytimes

ニューヨーク・タイムズのインスタグラム(nytimes) - 2月27日 08時57分


At the Frick’s two-year sublet of the Breuer building on Madison Avenue, it’s just you and the masters.

In March, the Frick Collection will show 104 paintings — as well as marbles, bronzes, vases and clocks — in the former Met Breuer museum. It’s an unprecedented exhibition given that the Frick, by tradition, has not lent pictures bequeathed by its founder to other institutions.

At the now named Frick Madison, the exhibition is the first, and probably only, time that many of these artworks will ever be on view outside the Beaux-Arts townhouse that the industrialist and steel baron Henry Clay Frick built for himself in the early 1900s at 1 East 70th Street.

The townhouse turned museum, which is the width of a city block and encased in marble and mahogany, is expanding. The house’s upstairs living quarters will open to the public, and there will be an addition designed by Annabelle Selldorf, the New York architect of understated rigor. But to prepare, the Frick Collection has to move out for two years — and in the sublet five blocks north, it’s discovering the modern luxury of blank walls and empty rooms.

For the next two years, these artworks will appear not as elements of a residence, but are reordered by geography and medium. Dutch and Flemish paintings are on the second floor, which features all eight of the Frick’s Van Dycks and a snug room for its three Vermeers. The third floor is the province of Italy and Spain, but also Mughal carpets and Chinese porcelain. The fourth floor belongs to Britain and France, where the Breuer’s massive trapezoidal window illuminates the four panels of Fragonard’s blithe “Progress of Love,” a Rococo fête of countryside hooking up.

The backdrop is gray, the lighting sober. No barriers. No protective glass. No descriptive texts. And no selfies either, as photography is banned. Tap the link in our bio to read more about the upcoming exhibit. @frickcollection and @dirtywhitebucks took these photos of the works in their usual spots at the Frick and in their new, minimalist homes at Frick Madison.


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