The New Yorkerのインスタグラム(newyorkermag) - 1月30日 10時50分

It is not an accident that the history of the rape-revenge movie, from sleazy exploitation flicks to revered classics, is dominated by male filmmakers, @carmenmmachado writes. “That’s true of much of cinematic history, of course, but, also, the genre lends itself to gritty accounts of good guys who are morally required to do bad things in the service of justice—a kind of story that mostly men, I think, want to tell.” At the link in our bio, Machado analyzes the new movie “Promising Young Woman,” Emerald Fennell’s directorial début, in which there is something “more curious, and more complex.”

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