スージー・ロウさんのインスタグラム写真 - (スージー・ロウInstagram)「Finally figured out the best way to really absorb a digital show. Thanks @louisvuitton for treating a small audience in a socially distanced cinema to a big screen viewing of #LVSS21 with a real sound system - All the better to see those art nouveau levels of the legendary La Samaritaine building in Paris and their chroma green screen layers, projected with Wim Wenders’ Wings of Desire. This was the digital backdrop to how the public saw the collection. Physical guests at the show in Paris saw the green screen. - Alternative views. Different interpretations. Or maybe one collective head rush of squared off tailoring, old school Ghesquière graphics and a slouchy “non binary” attitude in the baggy trews, board shorts and squishy trainer booties - I actually loved our streamed vantage point of seeing the clothes against this fantasy backdrop. This was the best remotely viewed capture of a collection in-movement/in-flux.  Or maybe it was the enlarged screen that made all the difference - Either way, Nico with her limited experience of both cinema and fashion shows approved (see last slide). She even learnt how to pronounce “Ghesquière”. Attagirl!」10月8日 22時54分 - susiebubble

スージー・ロウのインスタグラム(susiebubble) - 10月8日 22時54分


Finally figured out the best way to really absorb a digital show.
Thanks @ルイ・ヴィトン for treating a small audience in a socially distanced cinema to a big screen viewing of #LVSS21 with a real sound system
-
All the better to see those art nouveau levels of the legendary La Samaritaine building in Paris and their chroma green screen layers, projected with Wim Wenders’ Wings of Desire. This was the digital backdrop to how the public saw the collection. Physical guests at the show in Paris saw the green screen.
-
Alternative views. Different interpretations. Or maybe one collective head rush of squared off tailoring, old school Ghesquière graphics and a slouchy “non binary” attitude in the baggy trews, board shorts and squishy trainer booties
-
I actually loved our streamed vantage point of seeing the clothes against this fantasy backdrop. This was the best remotely viewed capture of a collection in-movement/in-flux.
Or maybe it was the enlarged screen that made all the difference
-
Either way, Nico with her limited experience of both cinema and fashion shows approved (see last slide). She even learnt how to pronounce “Ghesquière”. Attagirl!


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