グッゲンハイム美術館さんのインスタグラム写真 - (グッゲンハイム美術館Instagram)「#GuggenheimAtLarge: In the latest installment of the Guggenheim Circular, we’re exploring the theme of “Time,” in all its forms and intricacies. ⠀ “‘Cleaning the Mirror #1’ is composed of five monitors, stacked upright, which play five different perspectives of the same haunting performance: Marina Abramović scrubbing a grime-covered human skeleton laid across her lap. The videos in each monitor are dedicated to a different part of the skeleton, shot in close proximity, and viewers can see fragments of her hands, lap, hair, and legs as she ‘cleans’ the skeleton’s skull, pelvis, and feet, hands, and rib bones being “cleaned” for an uncomfortably long duration of time. Pushing conventions of endurance, proximity, and duration is a strategy that undergirds Abramović’s larger practice. In ‘Cleaning the Mirror #1,’ her intimate, domesticated, and extended encounter with the skeleton—an object heavily laden with symbolic connotations to death, taxonomy, medical science, and ritual—forces viewers to encounter emotional intensity, from a changed temporal perspective.” —X Zhu-Nowell (@xzhunowell), Assistant Curator ⠀ To explore the full “Time” gallery, click the link in our bio. ⠀ __ "Cleaning the Mirror #1" (1995); © 2020 Marina Abramović. Courtesy of Sean Kelly Gallery / (ARS), New York. #MarinaAbramović #GuggenheimCollection #Guggenheim」9月5日 2時11分