グッゲンハイム美術館さんのインスタグラム写真 - (グッゲンハイム美術館Instagram)「Navin Rawanchaikul’s “Places of Rebirth” (pictured) was inspired by the Thai artist’s first visit to Pakistan, the birthplace of his ancestors, in November 2008. In the piece, Rawanchaikul narrates his family’s migration and his own cross-border and cross-cultural negotiations. ⠀ Painted in the style of the Indian movie posters that fascinated him as a child, the work’s self-conscious populist aesthetic reflects an artistic practice that moves from billboard painting to sculpture and pulp comics. The painting underscores the way in which the idea of nation is defined by historical narrative, while layering that narrative over the personal and the imaginary. ⠀ ➡️ Swipe through to see the full work, and click the link in our bio to learn more. ⠀ __ Navin Rawanchaikul, “Places of Rebirth” (2009), © Navin Rawanchaikul #NavinRawanchaikul #GuggenheimCollection #Guggenheim #MuseumFromHome」8月30日 3時19分 - guggenheim

グッゲンハイム美術館のインスタグラム(guggenheim) - 8月30日 03時19分


Navin Rawanchaikul’s “Places of Rebirth” (pictured) was inspired by the Thai artist’s first visit to Pakistan, the birthplace of his ancestors, in November 2008. In the piece, Rawanchaikul narrates his family’s migration and his own cross-border and cross-cultural negotiations.

Painted in the style of the Indian movie posters that fascinated him as a child, the work’s self-conscious populist aesthetic reflects an artistic practice that moves from billboard painting to sculpture and pulp comics. The painting underscores the way in which the idea of nation is defined by historical narrative, while layering that narrative over the personal and the imaginary.

➡️ Swipe through to see the full work, and click the link in our bio to learn more.

__
Navin Rawanchaikul, “Places of Rebirth” (2009), © Navin Rawanchaikul
#NavinRawanchaikul #GuggenheimCollection #Guggenheim #MuseumFromHome


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