グッゲンハイム美術館のインスタグラム(guggenheim) - 7月28日 00時11分


#GuggenheimAtLarge: In the third installment of the Guggenheim Circular, we’re exploring the theme of “Home” through artworks that make people reconsider their most immediate surroundings.

Interiors featuring personal moments of daily life are pervasive in Pierre Bonnard’s work. The artist was partial to dining room scenes and frequently included a window that frames a vibrant view of natural beauty. Usually painting from memory, he used brilliant, saturated colors to construct his compositions. Yet this work is not simply a representation of domestic space. Seemingly absorbed into a wall to the right and partially obscured by a large vase of flowers is Bonnard’s wife, Marthe (born Maria Boursin), who appears regularly in his paintings, but always portrayed as her younger self. Marthe’s fragile health made her increasingly reclusive over time, and here her ambiguous presence and uncertain actions add a psychological charge to otherwise potentially mundane subject matter.

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Pierre Bonnard, “Dining Room on the Garden” (1934–35)
© 2020 Artists Rights Society (ARS), New York
#PierreBonnard #GuggenheimCollection #Guggenheim #MuseumFromHome


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