クリスティーズさんのインスタグラム写真 - (クリスティーズInstagram)「Born in 1535, Diana Scultori was one of the very few women who worked as a printmaker in the 16th century as up until the late 19th century this was an almost entirely male domain.⠀ .⠀ Scultori learned the art of engraving from her father Giovanni Battista Scultori, also an engraver. Her skills were already praised by Giorgio Vasari and she received a Papal privilege shortly after moving to Rome.⠀ .⠀ 'The Feast of Gods' depicts the nuptials of Cupid and Psyche and rather than focusing on the newlyweds, Scultori shifts the focus to the feast in order to show the heavens at peace.⠀ .⠀ Diana Scultori (circa 1535-87) After Giulio Romano (circa 1499-1546). 'The Feast of the Gods', circa 1575. Estimate: £15,000-25,000.⠀ .⠀ Old Master Prints online, 1–15 July⠀ .⠀ #oldmasterprints #dianascultori #prints #feastofthegods #femaleartist」7月13日 20時31分 - christiesinc

クリスティーズのインスタグラム(christiesinc) - 7月13日 20時31分


Born in 1535, Diana Scultori was one of the very few women who worked as a printmaker in the 16th century as up until the late 19th century this was an almost entirely male domain.⠀
.⠀
Scultori learned the art of engraving from her father Giovanni Battista Scultori, also an engraver. Her skills were already praised by Giorgio Vasari and she received a Papal privilege shortly after moving to Rome.⠀
.⠀
'The Feast of Gods' depicts the nuptials of Cupid and Psyche and rather than focusing on the newlyweds, Scultori shifts the focus to the feast in order to show the heavens at peace.⠀
.⠀
Diana Scultori (circa 1535-87) After Giulio Romano (circa 1499-1546). 'The Feast of the Gods', circa 1575. Estimate: £15,000-25,000.⠀
.⠀
Old Master Prints online, 1–15 July⠀
.⠀
#oldmasterprints #dianascultori #prints #feastofthegods #femaleartist


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