The New Yorkerのインスタグラム(newyorkermag) - 9月6日 02時30分

In the early 1990s, Wolfgang Tillmans was known for chronicling Gen X and rave culture and taking portraits of musicians like Aphex Twin and the Blur front man Damon Albarn. He saw the acid-house-music nights at Opera House, in Hamburg, or the Love Parade, in Berlin, not just as hedonistic gatherings but as a political achievement. But outside the world of his photos, he has admitted, this freedom only existed in “little nuggets and pockets and areas.” Click the link in our bio for Emily Witt’s Profile of the German artist, whose show “How likely is it that only I am right in this matter?” opens next week in New York. Photographs by @wolfgang_tillmans/Courtesy @davidzwirner.

[BIHAKUEN]UVシールド(UVShield)

>> 飲む日焼け止め！「UVシールド」を購入する