ニューヨーク・タイムズのインスタグラム(nytimes) - 7月7日 01時03分

To @frederik.busch, a German photographer, office plants have no less personality than their human counterparts. Take, for instance, Ute, a yucca palm leaning helplessly on a window sill, taking part of his pot with him. He “suffers from daydreaming,” @frederik.busch decided. (Thinking about the weekend, perhaps?) In 2008, he was doing corporate assignments when he noticed a row of plants in an office hallway. “And they looked like sculptures,” he said. He started his project — @germanbusinessplants — in Rastatt, Germany, then moved on to Hamburg, Berlin and beyond. “I have a sensitivity for plants,” he told the @ニューヨーク・タイムズ #Lensblog. “I approach them as beings, as living organisms and at the same time as kinetic sculptures. They just move very slowly.” For his series, each plant remained in its found environment. “If you look at them closely for a longer period of time you can actually see how the body of the plant develops in a way so they get what they really need,” he said. #?

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