Greetings from the @Hirshhorn! We’re taking over LACMA’s Story to explore #MarkBradford’s work on the East Coast, “Pickett’s Charge”! ⠀ ⠀ The monumental work features eight canvases that stretch across the entire inner-ring gallery, Bradford drew inspiration for this new work from French artist Paul Philippoteaux’s nineteenth-century cyclorama, “Pickett’s Charge” —the final charge of the Battle of Gettysburg, which historians cite as the critical turning point of the Civil War and, consequently, of American history. Working with a combination of colored paper and reproductions of the original, Bradford transformed the historic Gettysburg imagery. The resulting work weaves past and present, illusion and abstraction, inviting visitors to reconsider how narratives about American history are shaped and contested.

lacmaさん(@lacma)が投稿した動画 -

ロサンゼルスカウンティ美術館のインスタグラム(lacma) - 2月10日 03時43分


Greetings from the @Hirshhorn! We’re taking over LACMA’s Story to explore #MarkBradford’s work on the East Coast, “Pickett’s Charge”! ⠀
⠀
The monumental work features eight canvases that stretch across the entire inner-ring gallery, Bradford drew inspiration for this new work from French artist Paul Philippoteaux’s nineteenth-century cyclorama, “Pickett’s Charge” —the final charge of the Battle of Gettysburg, which historians cite as the critical turning point of the Civil War and, consequently, of American history. Working with a combination of colored paper and reproductions of the original, Bradford transformed the historic Gettysburg imagery. The resulting work weaves past and present, illusion and abstraction, inviting visitors to reconsider how narratives about American history are shaped and contested.


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