ニューヨーク・タイムズのインスタグラム(nytimes) - 10月22日 08時05分

Park Chan-wook, who turns 54 this fall, is arguably South Korea’s most famous film director, known nationally and internationally for his 2002-05 Vengeance trilogy, “Sympathy for Mr. Vengeance,” “Oldboy” and “Lady Vengeance.” Those films helped bring Korean cinema to the world stage and established Park as a fearless investigator of the violence in people’s hearts. Quentin Tarantino counts him as one of his favorite filmmakers, and @officialspikelee admired “Oldboy” so much that he remade it in 2013. Now, Park has turned his attention to sex. Last year, he released his newest film, “Aghassi,” or “The Handmaiden,” an adaptation of Sarah Waters’s 2002 novel “Fingersmith,” which has been hailed internationally as an erotic masterpiece. The film is so popular in Korea that it has inspired a bulletin board devoted to fan fiction, fan-made tribute art, badges, stickers, handkerchiefs, stationery, letterheads and even a rap song with dialogue from the movie set to hip-hop beats. “I’ve never felt the love of fans this way,” he says. Oh Suk Kuhn took this portrait of #ParkChanWook at the Ganghwa Anglican Church outside Seoul for #TGreats17, @tmagazine’s annual issue celebrating the people its editors admire. Visit the link in our profile to read more.

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