ニューヨーク・タイムズのインスタグラム(nytimes) - 10月21日 06時06分

Vermont’s outdoors is a salve and a muse for Joe Mulherin, photographed here by @gretarybus. His right arm is covered in tattoos of the state flower, the state fish, the state seal, the loon from the reservoir (“They don’t know how hard I ride for them,” he said, referring to the loons). But just as often he’s indoors. In the basement of his parents’ house, he has spent the last few years recording scathingly beautiful hip-hop-influenced emo music as @nothingnowhere. Today, @nothingnowhere will release “Reaper,” an outstanding album that synthesizes the second-wave emo of the early to mid-2000s with the rattling hip-hop low end of the last few years. It is one of the most promising pop albums of the year, writes @joncaramanica, a pop music critic for @ニューヨーク・タイムズ. The lyrical rawness of “Reaper” — Joe’s proper full-length debut album, and his first on a record label — can be searing. “There’s a lot of instances on this record where I probably should have just taken a nap,” he said. Visit the link in our profile to read more about how @nothing,nowhere is blending hip-hop and emo to make tomorrow’s pop.

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