The New Yorkerのインスタグラム(newyorkermag) - 8月27日 05時33分

In Valérie Belin’s series “Super Models,” she presents store-window mannequins in three-quarter-length poses, their plastic bodies surreally superimposed with raster-dot patterns and concentric circles. With visible arm joints and missing nipples, the mannequins advertise their artifice from the start—suggesting that even our endless digital-image stream has room for the uncanny. Click the link in our bio to see more of the French photographer’s work. Photography by Valérie Belin /Courtesy Galerie Nathalie Obadia, Paris/Bruxelles.

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