ニューヨーク・タイムズのインスタグラム(nytimes) - 7月8日 02時38分

‘‘It’s called the ‘Spiral Jetty,’’’ @heidijulavits told her children. She showed them pictures of this: 6,000 tons of black basalt rocks extending 1,500 feet into Utah’s #GreatSaltLake in the shape of a counterclockwise #vortex. This work of art, which @heidijulavits billed as art at ‘‘the end of the world,’’ was designed by the most famous practitioner of ’70s land art, Robert Smithson; he completed it in 1970. For almost 3 decades — roughly since the death of its creator, at age 35, in a plane crash — the jetty, except for a few brief reappearances, was submerged. But around 1999, due to drought, the lake’s water started to recede. And by 2002 the jetty could be seen once again. “Previous visitors had described the landscape as hauntingly spare, @heidijulavits writes, “resembling how our planet might appear following a nuclear holocaust.” But she wanted to see it for herself. @ruddyroye took this photo of #SpiralJetty while on assignment for @nytmag. Visit the link in our profile to read more about @heidijulavits’s pilgrimage (with her children) to see #RobertSmithson’s profound testament to catastrophe.

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