The New Yorkerのインスタグラム(newyorkermag) - 3月2日 01時11分

The photographer Pieter Hugo’s lastest series, “1994,” refers to the year of the Rwandan genocide; the same year that apartheid ended in South Africa. While the children represent hope and equality, in contrast to the weighted history of atrocities and racial oppression, their gazes are steady and sober, as if they have not entirely escaped their nations’ pasts. Click the link in our bio to see more. Photograph courtesy #PieterHugo/Yossi Milo Gallery.

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