ニューヨーク・タイムズのインスタグラム(nytimes) - 2月24日 11時38分

Prepare to be dazzled. “Yayoi Kusama: Infinity Mirrors,” a new exhibition at the @Hirshhorn Museum, features multiple rooms with mirrored interiors that create countless, ever-diminishing reflections of themselves and anything in them. #YayoiKusama was born in Japan in 1929. She made her first Infinity Mirror room, “Phalli’s Field,” in New York. It was 1965, just a few years after she’d established herself as a major artist in a thoroughly male-dominated art world. The effect was glorious. And it still is: “Phalli’s Field” is the first mirrored environment in the #Hirshhorn show. It’ll bring you into another world, “an eye-popping garden of benign cactuses spreading out in all directions, or an underwater wonderland of coral or sea anemones,” writes @ニューヨーク・タイムズ critic Roberta Smith. Over the past several decades, 20 such rooms have established Yayoi Kusama as a beloved figure. Today, still drawing crowds, they seem almost “too in step with our narcissistic times,” Roberta writes. Swipe left to see more photos by @tyronefoto, and visit the link in our profile to read the review.

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• Hirshhorn