The New Yorkerのインスタグラム(newyorkermag) - 8月3日 02時44分

Since “Bright Lights, Big City,” Jay McInerney’s focus has largely shifted from the question of sobriety (or the lack of it) to matters of status (or the lack of it). Click the link in our bio to read Adelle Waldman’s review of McInerney’s new novel, “Bright, Precious Days.” Photograph by Rick McGinnis, from 1988.

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