The New Yorkerのインスタグラム(newyorkermag) - 6月2日 07時55分

In 1966, the Japanese artist #YayoiKusama installed hundreds of mirrored spheres on the grounds of the Venice Biennale, accompanied by a pair of signs: “Your Narcissism for Sale” and “Narcissus Garden.” Now through the end of November, Kusama’s piece, sans signage, is swarming the pavilion of Philip Johnson’s Glass House, in New Cannan, Connecticut. Visit newyorker.com for more details. Photograph by @paridukovic.

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