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"#MoholyNagy: Future Present" is a "powerful retrospective"—via @The New Yorker. Peter Schjeldahl describes his favorite work “Light Prop for an Electric Stage” (1930)—"it’s a sleek, motorized medley of finely machined rods, screens, perforated disks, and springs in metal, glass, wood, and plastic, set in a box with a circular cut in one side. The gleaming parts—a sort of industrialized synthesis of Cubist and Constructivist styles—reflect a play of colored electric lights inside the box. The work was designed for a purpose, but its primary function is to fascinate."
? @dmheald


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