グッゲンハイム美術館のインスタグラム(guggenheim) - 5月26日 22時53分

In the summer of 1922, #MoholyNagy and his first wife, the photographer Lucia Schulz, began experimenting with cameraless photography. They superimposed objects of varying shapes, textures, and transparencies onto the surface of light-sensitive paper and played with light exposures to see what effects could be achieved. Moholy considered light to be a new plastic medium that could be manipulated, like color in painting and tone in music. He later dubbed these works “photograms.” László Moholy-Nagy, "Photogram (or Self-Portrait in Profile)," 1926, and "Photogram," 1924

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