The New Yorkerのインスタグラム(newyorkermag) - 4月2日 23時56分

Anoushka Shankar’s father carried the velveteen sitar west in 1956; by the sixties, with a little help from George Harrison, the classical Indian instrument had become a pop staple. Today through April 4 at City Winery, in New York, Shankar plays from her new album, “Land of Gold,” blending traditional sitar with pop tropes. Photograph by @garethwmcconnell. #LandofGold

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