Dazed Magazineのインスタグラム(dazed) - 1月28日 01時44分

CHANEL HAUTE COUTURE SS16:

“Something is rotten. Or broken. Or wrong. These are the sort of headlines that the fashion industry has been touting recently, in its ponderous state of self-loathing. With all these existential doubts swirling around, it’s no wonder #KarlLagerfeld – never shy about voicing his opinions – gave his own riposte. Back in December, not long after the Paris attacks, Lagerfeld responded with a love letter to the city of lights, sent via Rome for @シャネル’s Métiers d’Art show. With Chanel’s latest haute couture show, Lagerfeld sent a calming message that attempted to combat the cries of broken systems and rotten cores.

Your eyes were immediately soothed by the architecturally pleasing slatted three-storey wooden pavilion, set in a minimal but striking garden, complete with floating lily ponds, perfect lawns and perpendicularly laid steps. The pace slowed right down as models emerged from Chanel’s zen zone in geta-esque wedges and serene elongated silhouettes of white, cream and beige. “It’s not about bling bling red carpet. These are clothes that are very easy to wear,” Lagerfeld said backstage. That’s easy in the haute couture sense, where someone might consider a free-flowing chiffon lame cape sprinkled with sequins with a matching strapless column dress effortless. This was the slowest of fashion – made in ways, of course, that directly and pointedly oppose mass production – being showcased at the slowest of speeds.” – read @スージー・ロウ's full report now at dazeddigital.com [link in bio]

? @chloeledrezen

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