The New Yorkerのインスタグラム(newyorkermag) - 4月11日 01時10分

“The album has a gauzy, banged-up feeling, like karaoke versions of songs you dimly remember, processed until they sound like songs you definitely don’t know.” Sasha Frere-Jones reviews EMA’s new album, “The Future’s Void,” in the magazine this week. Photograph by Andreas Laszlo Konrath.

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